This book explores the false starts and disturbances of Romantic writing in Britain – ‘misfits’ and misfittings – as both a constitutive challenge to canonical romanticism and a distinctive literary field worth examining on its own account.
This book explores the false starts and disturbances of Romantic writing in Britain – ‘misfits’ and misfittings – as both a constitutive challenge to canonical romanticism and a distinctive literary field worth examining on its own account.